Art :: Gallery Nine: Beyond Enamels

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I soon discovered that I could turn enamels into inputs, with macro water color on Photo Editor to follow it.  That gave a distinctive texture: any painting in this gallery with the suffix “w” has undergone this process. 

I also found that some enamels looked better with some smudging done to them.  I call it “smooth smudging” since it leaves a milky soft look: any painting in this gallery with the suffix “s” has undergone this process. 

Finally, in some cases, doing a sequence of macro negatives and water colors (at least 2 rounds) produces yet another striking effect: any painting in this gallery with the suffix “2” has been through this process. As indicated, all the paintings in this gallery come from enamels.

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